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The item may be a factory second or a new, unused item with defects or irregularities. See details for description of any imperfections. Holger Czukay Rome Remains Rome Rar Free Postage GetFree postage Get it by Monday, 30 Nov from GB, United Kingdom Like New condition 30 day returns - Buyer pays return postage Returns policy number written on inlay book Media Condition-Near Mint. CDs are released in many editions and variations, such as standard edition, re-issue, demonstration demo, not for sale, promotional promo, special edition, limited edition, and many other editions and versions. 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Rome Remains Romeder Osten Is Rot CD Highly Rated EBAY SELLER Great Prices Be the first to write a review About this product New (other): Lowest price 21.50 Free postage Add to basket Additional site navigation About eBay Announcements Community Safety Centre Resolution Centre Seller Centre VeRO: Protecting Intellectual Property Policies Help Contact Site Map Copyright 1995-2020 eBay Inc. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Apart from a surprise U.K. Top 30 hit in 1978 -- I Want More -- they were never much more than a cult band; even critics had a hard time appreciating their music. And remember, even Cathy Berberian knew that you dont do it without your fez on. Tago Mago is that rarity of the early 70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. Paperhouse starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both Mushroom and Oh Yeah, the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe. After that, though, come the huge highlights -- three long examples of Can at its absolute best. Halleluwah -- featuring the LiebezeitCzukay rhythm section pounding out a monster trancefunk beat; Karolis and Schmidts always impressive fills and leads; and Suzukis slow-building ranting above everything -- is 19 minutes of pure genius. The near-rhythmless flow of Aumgn is equally mind-blowing, with swaths of sound from all the members floating from speaker to speaker in an ever-evolving wash, leading up to a final jam. Peking O continues that same sort of feeling, but with a touch more focus, throwing in everything from Chinese-inspired melodies and jazzy piano breaks to cheap organ rhythm boxes and near babbling from Suzuki along the way. Bring Me Coffee or Tea wraps things up as a fine, fun little coda to a landmark record. Ned Raggett 2013 Rovi Corp All Rights Reserved An album of sheer creative brilliance from the legendary German rock and experimental pioneers Can, and HR by A.O.O.F.C. Can was formed by Irmin Schmidt, an ex-student of Stockhausen, who was so inspired by the sounds of artists like Jimi Hendrix and Frank Zappa that he abandoned a career in classic music to form a group which would utilise and transcend all boundaries of ethnic, electronic experimental and modern classical music. Cans early 70s work remains miles ahead of what most are doing now. Cans music can be difficult, and dense but certainly groundbreaking. Can were light years ahead of their time and never conformed to any set rock patterns. Yet, they produced music of the highest calibre, exploring new musical territories that other rock bands were neither interested in, nor musically capable of exploring. The issue here includes Cans original 1971 7 track UA issue along with a bonus disc of three live tracks from 1972. Holger Czukay Rome Remains Rome Rar Plus A HalfThere is a long take on Mushroom and a short one on Halleluwah, plus a half-hour version of Spoon which can be found in shorter form on the bands great Ege Bamyasi. Holger Czukay Rome Remains Rome Rar Movie And EgeTwo of Cans albums, Monster Movie and Ege Bamyasi are progressive rock classics. It is also worth hearing Irmin Schmidts Masters of Confusion album, Holger Czukays Rome Remains Rome album, and the Damo Suzuki Bands V.E.R.N.I.S.S.A.G.E album. Check out Cans st album, and Cannibalism 1 on this blog. From their very beginning, their music didnt conform to any commonly held notions about rock roll -- not even those of the countercultures. Inspired more by 20th century classical music than Chuck Berry, their closest contemporaries were Frank Zappa or possibly the Velvet Underground. Yet their music was more serious and inaccessible than either of those artists. Instead of recording tight pop songs or satire, Can experimented with noise, synthesizers, nontraditional music, cut-and-paste techniques, and, most importantly, electronic music; each album marked a significant step forward from the previous album, investigating new territories that other rock bands werent interested in exploring. Throughout their career, Cans lineup was fluid, featuring several different vocalists over the years; the core bandmembers remained keyboardist Irmin Schmidt, drummer Jaki Leibezeit, guitarist Michael Karoli, and bassist Holger Czukay. Apart from a surprise U.K. Top 30 hit in 1978 -- I Want More -- they were never much more than a cult band; even critics had a hard time appreciating their music.
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